Every once in a while, I get an email proposing some decision starting or ending with the phrase “don’t you agree.” Whether the proposal is something I agree with doesn’t matter; sometimes I agree and sometimes I don’t. Either way, I have never liked this phrase for the fact that I feel it puts the receiver immediately on the defensive. By adding “don’t you agree” to a question makes an assumption that the receiver is going to agree but that assumption has a real chance of being false.1 We really have no idea all of what the other person is thinking. Using “don’t you agree” forces the receiver’s hand to defend their position in the real chance that, no, they don’t agree, but now they are compelled to explain why, even on those things that needn’t be explained because the answers are completely obvious, causes needless chatter, could be none of your business, whatever. Forcing an explanation is putting up a last-second hurdle that has to be overcome, no matter how small that may be.
In other words, ending with the phrase “…, don’t you agree?” is a passive-aggressive move in enough contexts that its usage really ought to be avoided should you want to be perceived as someone with whom collaboration is easy. Don’t you agree?
- You know what happens when you assume, right? It makes an “ass” out of “u” and “me.”
The publishing world may finally be facing its “rootkit scandal.” Two independent reports claim that Adobe’s e-book software, “Digital Editions,” logs every document readers add to their local “library,” tracks what happens with those files, and then sends those logs back to the mother-ship, over the Internet, in the clear. In other words, Adobe is not only tracking your reading habits, it’s making it really, really easy for others to do so as well.
EFF: Adobe Spyware Reveals (Again) the Price of DRM: Your Privacy and Security
Adobe collects information about whatever book you happen to be reading using Adobe Digital Editions, which potentially means your entire ADE collection. Then ADE sends that information back to Adobe in the clear, meaning anyone snooping can read it.
Intentional or not, I find none of this surprising.
There’s no substitute for hands-on experience, but for most students, real world tools can be cost prohibitive. That’s why we created the GitHub Student Developer Pack with some of our partners and friends: to give students free access to the best developer tools in one place so they can learn by doing.
Github Student Developer Pack
The list of software and subscription offers is truly impressive. I won’t use half the stuff, but others like Atom, I’ve been wanting to try, but haven’t for precisely the reason they give.
Somehow, Adobe managed to upgrade Adobe Digital Editions from version 2 to version 3 with absolutely no improvement. This is impressive in its own way. Text selection for highlighting is still a complete disaster. The app still translates my moving the pointer one pixels to jump the selection of a single sentence to half a paragraph, a problem that inarguably plagued the last version.
That the app was allowed to be released with such a major bug in a vital feature of any ebook reader, is astounding to me. Now I get the impression that the app lives in some sort of development backwaters, using version numbers simply to call attention rather than indicating any real improvements (which puts it in line with past Creative Suite upgrades).
For a company that is in the business of making books and wants to be in the business of eBooks, Adobe Digital Editions is just an embarrassment.
SILE versus Word
When most people produce printed documents using a computer, they usually use software such as Word (part of Microsoft Office) or Writer (part of Open/LibreOffice) or similar–word processing software. SILE is not a word processor; it is a typesetting system.
SILE versus TeX
SILE is basically a modern rewrite of TeX.
SILE versus InDesign
InDesign is a complex, expensive, commercial publishing tool. It’s highly graphical–you click and drag to move areas of text and images around the screen. SILE is a free, open source typesetting tool which is entirely text-based; you enter commands in a separate editing tool, save those commands into a file, and hand it to SILE for typesetting. And yet the two systems do have a number of common features.
So, essentially, this is a rewrite for TeX. But the reality is that creating complex layouts really, truly requires GUI layout tools. No matter how good the output is for this application, it’s entering into an firmly-established market with a few, large, expensive players, and not a lot of action. Publishing automation tools are nothing new, but one has to give up a certain amount (usually a lot) of control to create a document on the cheap. Even for those workflows that are intensely reliant on templates, designers are still working in InDesign for the initial design, which is then handed off to a person, or more frequently a system, to translate into something to be automated.
TeX has already been done, and automated layouts have already been done. I’m a long-time user of TeX, and I love it, but I don’t feel this has a long road in front of it.
Let’s face it, unless you’re really slow on the uptake, you’ve outfitted your web browser with an ad blocker. Ha ha, you win! But wait—that means most web ads are only reaching those who are really slow on the uptake. So their dollars are disproportionately important in supporting the content you’re getting ad-free. “Not my problem,” you say. Oh really? Since those people are the only ones financially supporting the content, publishers increasingly are shaping their stories to appeal to them. Eventually, the content you liked—well, didn’t like it enough to pay for it—will be gone.
Why? Because you starved it to death. The immutable law remains: you can’t get something for nothing. The web has been able to defer the consequences of this principle by shifting the costs of content off readers and onto advertisers. But if readers permanently withdraw as economic participants in the writing industry—i.e., refuse to vote with their wallets—then they’ll have no reason to protest as the universe of good writing shrinks. (And make no mistake—it’s already happening.)
The economics of a web-based book: year one
Either I’m slow on the uptake or I’m just really good at ignoring advertising, because I don’t have an ad blocker in my browser. I have long since disabled Flash, however, but that was more because it was a needless drain on my processor and battery than anything. But, this is an interesting way of thinking about the issue of blocking the ads of ad-supported endeavors. Be careful what you ask for (block ads supporting the content you find useful) because you are going to get it (crappy content because people who can value their time monetarily aren’t going to write content that won’t pay).
I have faith in our ability to manage change, but I do not have faith in change itself if only because change is never as accommodating as we are.
Today, too many of our digital services projects do not work well, are delivered late, or are over budget. To increase the success rate of these projects, the U.S. Government needs a new approach. We created a playbook of 13 key “plays” drawn from successful best practices from the private sector and government that, if followed together, will help government build effective digital services.
U.S. Digital Services Playbook
Three of the plays—1, 6, and 7—focus on people alone. Solid advice for any project.
Everything wrong with Photoshop exemplified in one update:
While I can understand Adobe needs to keep their software fresh to maintain sales, this is just plain old bloatware as far as I am concerned. I don’t need 3D modeling and manipulation in Photoshop. I need a scripting API that actually works so that I can create truly integrated workflows to save me time and money. This 3D update is instead a complete waste of my time and money.