“You don’t choose what will work. You simply do the best you can each time.”

From a blog post by Neil Gaiman in 2009:

Yes, it’s unrealistic of you to think George is “letting you down”.

Look, this may not be palatable, Gareth, and I keep trying to come up with a better way to put it, but the simplicity of things, at least from my perspective is this:

George R.R. Martin is not your bitch.

But beyond that initial blast is this really great gem that I think applies to any creative endeavor including programming:

Sometimes it happens like that. You don’t choose what will work. You simply do the best you can each time. And you try to do what you can to increase the likelihood that good art will be created.

And sometimes, and it’s as true of authors as it is of readers, you have a life.

I have started more projects than I have finished, each for their own reasons. “Finished” is entirely subjective, but in my case it would likely mean “used by someone else” and/or “used in day-to-day production by me.” Some unfinished projects get revisited, but most don’t, again each for their own reasons. Outside of important deadlines, not getting hung up on whether something is finished is important, at least for me. What is just as important, however, is learning something new from that project, including how not to do something. Each project I started has been a learning experience of some kind, so even the unfinished ones have value.

Having a deadline is another matter entirely.

The American Room

More than 100 million Americans live in the suburbs. Suburban homes are built many at a time to achieve efficiencies. A set of tract homes is the horizontal equivalent of a skyscraper. The plans themselves are defined along familiar principles, designed to meet market demand. Programs like AutoCAD make it possible to quickly and efficently produce blueprints for homes using a pre-defined, standardized library of components. Viewed very broadly, the construction industry functions like a massive, decentralized, and human-powered 3D printer controlled by AutoCAD
. . .
You could judge those rooms and say that America has a paucity of visual imagination, that we live in a kind of wasteland. Or you could draw another conclusion, and note that America might be a little more broke than it wants to show. The painfully expensive 2,000-square foot home is furnished with cheap big sofas and junk from Target. Maybe these video stars don’t hang pictures because they are renters. Maybe they know they are going to move soon, to another part of the state or country; suburbs are the temporary worker housing for America. Maybe they moved in and just haven’t unpacked yet, and the big picture of grandma is still in the garage.

But try to see it from their perspective. Our protagonists are looking into the computer. They like what they see, find it stimulating and exciting. They are eager to participate. They see what we see when we go online. Other people’s rooms.
Medium.com: The American Room
Behind the nation’s closed doors, with YouTube.

Love people, use things

Love people, use things.

Easier said than done, I realize. It requires the courage to repudiate pride and the strength to love others — family, friends, colleagues, acquaintances, God and even strangers and enemies. Only deny love to things that actually are objects. The practice that achieves this is charity. Few things are as liberating as giving away to others that which we hold dear.

This also requires a condemnation of materialism. This is manifestly not an argument for any specific economic system. Anyone who has spent time in a socialist country must concede that materialism and selfishness are as bad under collectivism, or worse, as when markets are free. No political ideology is immune to materialism.

Finally, it requires a deep skepticism of our own basic desires. Of course you are driven to seek admiration, splendor and physical license. But giving in to these impulses will bring unhappiness. You have a responsibility to yourself to stay in the battle. The day you declare a truce is the day you become unhappier. Declaring war on these destructive impulses is not about asceticism or Puritanism. It is about being a prudent person who seeks to avoid unnecessary suffering.
“Love People, Not Pleasure” Arthur C. Brooks, NY Times

BBC: The new sign on French menus

Now any restaurant that serves a home-made dish can indicate it on the menu with it new logo – in the shape of a saucepan with a roof-like lid. From next January it will be compulsory for all menus to carry the logo – so if you don’t see it, the food is not fait maison.

I find it interesting that it’s the restaurants that make a particular dish entirely on-site are the ones who have to follow the law regarding a new logo. I think that if something similar were passed in the United States (yeah, right), then it would be the other way around: those restaurants that use non-homemade foods would have to place a logo on their menu, and the one’s making homemade dishes wouldn’t have to change a thing. Then we would see that logo everywhere.

But, this makes sense to me because everyone wins. Even if they don’t see the logo, people will still go to those restaurants that prepare non-homemade foods, but those restaurants that show their food is homemade would, ostensibly, get more business. If the law were reversed, then those restaurants having to advertise the use of non-homemade foods could lose business.

Cape Cod

I have been told that the part of Cape Cod where I am staying is considered the “Irish Riviera.” I’m not sure whether this is based on a misunderstanding of what comprises the Riviera or the Riviera has been knocked down a few notches over the years. I don’t think I have ever seen a denser concentration of ice cream, pizza, and seafood than here. Seeing signs like “Finest Quality Fried Seafood” is laughable. The food here is, in a word, shit.

Cape Cod is nice, but it’s not “every summer for multiple generations” nice. If anything, Cape Cod is seasonal townie hell.

No turning back

“The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that’s not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t. And if they had, we shouldn’t know, because they’d have been forgotten.”
The Lord of the Rings, J.R.R. Tolkien

#hashtagvomit

#hashtagvomit is when the number and length of hashtags in a social media post is equal to or greater than the length of the content itself.

Whether or not the post in question is good or bad is irrelevant. I don’t regard hashtags as content, but rather a subtext to the content, a type of metadata intended for human consumption. Hashtags ought to be used in the same manner as exclamation points in writing. To wit…

If a sentence really has something of importance to say, something quite remarkable, it doesn’t need a mark to point it out. And if it is really, after all, a banal sentence needing more zing, the exclamation point simply emphasizes its banality!
Notes on Punctuation, by Lewis Thomas